Despite being a misstep for OMD, History of Modern oozes with sugary hooks, mellotron swells, machine-like blips and repeatable choruses as to make it fun and engaging.
Belle and Sebastian Write About Love stays true to its title and the trajectory that Belle and Sebastian have been on since day one, although things are mixed up a little.
While previous Of Montreal recordings were forced to wade and sink in the inescapable grit of lo-fi and low budget recording, False Priest is given the fidelity it deserves.
While Total Life Forever may be cut from the same majestic & holy shroud as Merriweather Post Pavilion & Veckatimest - Foals achievement is less self-important.
A rowdy crowd, an exalted entrance and a wall-of-sound take on “A Salty Salute” began the Guided By Voices reunion show in Los Angeles. At the song’s end, the repeated line “The club is open” became a celebratory chant with the audience screaming in ecstatic fervor. It was a good opening.
Ariel Pink is our first postmodern rock star. The self-revered Godfather of the chillwave genre has made an impressionable mark on the Los Angeles music scene despite a reclusive and hermitic lifestyle.
Male Bonding's Nothing Hurts is a more sombre and sincere take on the current lo-fi wave. There is no pretension or callous irony – just unadorned emotions juxtaposed against sonorous layers of sound.
Welcome to Big Echo - Big sound, big ideas, big drums, big vocals, big concepts and big production. Big is a word that encapsulates quite accurately what The Morning Benders were attempting to create with their latest release.
Ernest Greene’s electro-vignettes are all recorded in his parent’s house, on dated recording software. But again, this adds to the mystery and attraction of Washed Out’s music.
Ranging from almost jangly indie rock to indie pop to the now immortalized MySpace tag " Melodramatic Popular Song," Happy Hollows are experimenting with fragmented genres and bring some sort of edge at the same time. Includes MP3 download.
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